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Comment Re:Mario Kart... (Score 1) 22

I've always loathed the term "Nintendo Tax" because it implies some kind of penalty, like a wealth tax or a vice tax. Though I can't argue that it's not a real thing - Nintendo's best games hold their market value far better than rival games, even from other top-tier Japanese developers.

Still, I would approach this phenomena from the other direction. Nintendo is not able to maintain high prices because they're somehow fleecing people (as a tax would imply), but because they work to make games that stand the test of time. And then back it up with a sales strategy to match.

So much of the industry treats video games as ephemeral entertainment - something to consume, and then throw away as you move on to the next game. It's the traditional media model for TV and movies extended to interactive media. And for most of the industry it's an accurate observation: game sales are ridiculously front-loaded, and few games (especially single-player games) have a long tail. After the initial hype subsides, you need to lower your price quickly in order to keep unit sales (and thus revenue) from cratering. All the while you're already hard at work on next year's game.

But Nintendo has been able to channel the lifecycle of board games and card games. In their eyes they aren't creating media, they're creating a digital plaything. They're creating something that you'll play now, but you'll also want to play next month, next year, next decade. Case in point: Mario Kart 8 is 11 years old and the only thing that has really diminished its value (and sales) after all of this time is that it finally has a successor in Mario Kart World.

When is the last time you saw a permanent price cut on Monopoly? Uno? Settlers of Catan. The occasional sale, sure. But a copy of Catan is still going to sell for $40+, even today. That's the business strategy Nintendo is tapping into. If a game is good - like really, really good - and it's repeatedly replayable, then why does the price need to be cut soon after launch? Why can't people come along and discover it years later? Why does it need to be priced like it's a quickly depreciating asset - like a movie instead of a board game?

And that is the ultimately where the Nintendo Tax as we know it comes from. Make a game good enough, make a game gamey-enough, and don't devalue it by replacing it 3 years down the line - and it's something people will want to buy even years later.

Though this is a relatively recent phenomena. It's only after we hit the PS360U generation of hardware that systems had enough processing power and memory for games to not be constrained and do whatever they want. And that games stopped being obviously dated in terms of visual when compared to the previous generation. It's no coincidence that this was the last generation where Nintendo offered their Nintendo Selects line of discounted games.

Comment Re: Fuel or electrical? (Score -1) 104

You dont typically use avgas in fuel trucks at large airports like this as most ICE engines are on small aircraft that dont fly in large airports for all sorts of reasons.

You dont fly your little Cessna single engine into an airport with 787s landing or taking off. Thats a nightmare/disaster in the works. The Cessna would be like a leaf in a hurricane.

They drive to a gas pump AWAY from the jet wash that will destroy them.

Larger prop driven aircraft are powered by turboprop engines - they use jet fuel as well, not areas.

It's not impossible of course, but pretty unlikely.

Comment Re: Really? (Score -1) 104

Nope, you can absolutely roll off the end of the runway at any speed except full stop. Take off is always a choice.

The landing in the other hand is governed by physics, mostly gravity. If you dont leave orbit, landing is mandatory, its only a question of when and what it looks like. The aircraft will be on the ground eventually.

It may be a good landing, it may be a fiery crash, but you absolutely are going to land.

Comment Even USAs own rating agencies ... (Score 3, Informative) 247

... are having a hard time justifying their favorable ratings. With one the US has moved from AAA to AA a few years back and even that was seen as being nice and kind. I hope the US doesn't squander trust beyond the Trump era, lest you guys be sitting on a pile of money that the world has finally noticed not being worth the paper it's printed on.

It is my opinion that you could have a true revolution, a bottom-up redo of the US constitution and fixes for the most glaring broken parts of the US system up and running within months without even a single bullet fired. AFAICT from across the pond basically _everyone_ agrees that the current state of things has become untenable. You don't need to be a bunch of Trumpists storming the Capitol to see this.

Comment Going bust soon. (Score 1) 27

Disclaimer: This is a repost from a while back and I'm a senior webdev and part of the target customers.
>>>>

Figma barely has a business case. Anything still left is being snacked up by AI or will eventually be replaced by open source software.

With UI design tools it's just like with Editors or Web Toolkits. There is always some hype-cycle that pushes the tool that then quickly gets replaced by the next fad: Sketch - Adobe XD - Invision - Figma ... whatever. Meanwhile folks who have chosen and stayed with Inkscape and Object Libraries or Penpot will do so until the end of their days and save the money and hassle.

I don't even use UI designers anymore, I build right in the web these days. The UI libs are all there already and you can integrate them just as quick as drawing the element. I might copy the occasional SVG object into my components, but that's because Inkscape is a neat vector drawing tool for the custom stuff. For everything else I don't even need it anymore.

Comment Re:Nope, I was wrong (Score 1) 80

Still wondering about those upload speeds, though.

It's kind of a complex question. It depends on where you are and what plan you currently have.

If you're in a mid-split area (where Comcast is using a larger range of frequencies for upload traffic) and had a plan to take advantage of it - which it sounds like you are - then the new plans actually regress on upload speeds. The old ~1Gbps and ~2Gbps plans had 300Mbps nominal uploads (closer to 360Mbps due to overprovisioning), while all other plans were 150Mbps nominal. The new plans drop this down to 100Mbps nominal for everything except the new ~2Gbps plan, which gets 250Mbps nominal.

Unfortunately, you're facing an either/or proposition. Comcast won't remove the data cap for existing plans, you have to transition to a new plan. But if you do that, then you'll get the new, lower upload speeds. With that said, Comcast isn't forcing anyone to upgrade, so current customers can stay on their legacy plans indefinitely.

Comment You missed out. Watch it. (Score 2) 29

"The Social Network" is to a notable extent a work of fiction and construes a Zuckerberg that doesn't really resemble the real one rather than an amalgamation of nerd-rage projected on to a fictional Mark Zuckerberg.

The movie is ever so slightly flawed in that way and does stretch the one or other trope a little too hard when observed in isolation ("crazy bitch", "angry wounded nerd", "loudmouth silicon valley investor" etc.) but those are _all_ placed and played in service of the story and its telling and that is flat-out epic. Every single part right down to single-scene appearances are cast to the T and deliver an unbelievable performance, the pacing is flawless, the character dynamic is a masterpiece, every single word of dialog punches above its weight, the score is breathtaking and the camera-work is top tier.

It's definitely a masterpiece of a movie and Fincher (and Sorkin) knocked this one out of the park and into geo-stationary orbit, there is no two ways about that.

One of the penultimate scenes is a rage scene that Fincher shot 99 (ninetynine!) times and edited it out of 114 different adjacent takes. It's flat-out epic and one of the iconic scenes in movie history and generally regarded as the "best rage scene ever". This just to illustrate the obnoxious attention to detail and borderline autistic aim for perfection by Fincher. It shows in the entire movie.

It only won two oscars because the reviewers where overwelmed by the topic, otherwise it would've scored higher.

You definitely missed out. Watch it. As a special occasion. You won't be disappointed, that's a promise.

Comment Sorkins scripts are the best ... (Score 2) 29

... but I'd rather have movie itself directed by Fincher. They both collaborate very closely and AFAIK are good friends, but I don't see _anyone_ coming close to dialog movies directed by Fincher. He's basically his own league as a film director and just about anybody who knows anything about films agrees on that.

Comment Incels don't whine. (Score -1, Troll) 53

They often suffer silently.

They are also more common than you think, especially today. I should know, because I was one, back in the 80ies and early 90ies when the term actually carried some meaning, unlike today where rampant femnoise and misandry have perverted the term beyond recognition. I'll just copy-paste my standard PSA on the topic here to offer some more broader less contemporary-dimwitt-mainstream-media-bullshit perspective. You might find this helpful.

>>>>>>
PSA: Incel, definition

Incel (involuntary celebate) is a gender neutral term. Coined by an incel woman(!). The largest group of Incels handicapped and/or disfigured people, followed by people with non-hetero-normal sexual orientation, then followed by heterosexual men, the vast overwhelming majority of which aren't misogynists but timid, shy, intimidated by women and/or the mating game and - often as a result - depressed.

To emphasize: Noisemakers on the internet aren't representative of Incels, despite what the misinformed public or some dimwitts on reddit think about the term.

Please stop perpetuating this ill-informed misrepresentation of Incels at large.

Thank you.

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