Comment C format for broadcast video (Score 1) 244
In 1980 the broadcast business was just about to go digital but not quite ready. There was a world class competition between B format from Bosch-Fernseh in Germany and C format from a conglomerate of Japanese manufacturers. C format had the advantage of being able to hold a still frame when the the tape stopped. B format needed a digital frame store to do the same, but the quality was far superior. C format was a totally inferior format. Low frequency noise caused video to be considered unusable for multi-generation special effects and millions of dollars of equipment was sold across the world for a format that disappeared in 5 years or so. Quality rules when it comes to production. The filmakers have always understood this, but the video manufacturers are always looking for the C-heap way out. This carelessness about quality continues today with digital recording formats.