"Woke" has those values in caricature. 2D girl bosses who constantly show up evil white man-villian without meaningful struggle and character development. Black protagonists cast as morally flawless heros in decidedly non-Black historical contexts. Teams of predictively diverse and almost ugly characters who seem to be silently competing for some sort of off-screen "most weird" reward. Lots of sermonizing with little plot. Originality and creativity smothered by ideology instead of inspired by ideals.
I realize nuance and degree aren't popular concepts in the current political environment, but maybe, just maybe there's a reason that classical progressive characters were successful in cultivating wide fan bases and modern ones are adept at squashing them.
Asynchronous inputs are at the root of our race problems. -- D. Winker and F. Prosser